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The RIAA (Recording Industry Association of America) has written an article regarding their views of Googles piracy protection and lack of action in combating it. You can read the full article here or check out a excerpt from it below.

"Fact #1:  In order to notify Google of an infringement, you first need to find the infringement.  But Google places artificial limits on the number of queries that can be made by a copyright owner to identify infringements.  These limits significantly decrease the utility of Google’s take down tool given the vast nature of the piracy problem today and the number of titles we are trying to protect.  The number of queries they allow is miniscule, especially when you consider that Google handles more than 3 billionsearches per day.  Yet Google has denied requests to remove this barrier to finding the infringements.

Fact #2:  You can’t notify Google about the scope of the problem if it limits the notices it will accept and process through its automated tool.  And that is what Google does.  On top of the query limitation, Google also limits the number of links we can ask them to remove per day.  Google has the resources to allow take downs that would more meaningfully address the piracy problem it recognizes, given that it likely indexes hundreds of millions of links per day.  Yet this limitation remains despite requests to remove it.

Fact #3:  One needs to consider these numbers and Google’s activities in context.  Google says it received requests to remove 1.2 million links from 1000 copyright owners in one month.  But consider that Google has identified nearly 5 million new links posted in just the last month in searches for free mp3 downloads of just the top 10 Billboard tracks.  The constraints Google has placed on the tools they promote to deter infringement are well below what is necessary to identify and notice infringements on the Billboard top 10, much less the entire catalog of the American creative community."
 
 
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The Gaslight Anthem have released a making-of video for their song '45'. Check it out below.

The band's new album "Handwritten' is set to be released July 24th, 2012.

The band will be on tour this July, check out the dates below:
July 05: San Francisco, CA @ The Independent
July 07: Portland, OR @ Hawthrone Theater
July 08: Seattle, WA @ Crocodile
July 11: Minneapolis, MN @ Fineline
July 12: Lawrence, KS @ Bottleneck
July 13: St. Louis, MO @ Firebird
July 14: Cincinnati, OH @ Bunbury Music Festival
July 16: Toronto, ON @ Opera House
July 18: Nashville, TN @ Mercy Lounge
July 19: Chapel Hill, NC @ Cat's Cradle
July 20: Washington, DC @ U Street
July 22: Boston, MA @ Middle East
July 24: New York, NY @ Webster Hall
 
 
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For Today have released a new live music video for their song "Fearless'.  The song is off of their brand new album 'Immortal' which is in-stores now,

You can also check out an interview we did with the band last month here.
 
 
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Bloc Party are set to release their new album 'Four' on August 21st, 2012.  This will be the bands first album since 2008's 'Intimacy'.

Check out the album preview below:
 
 
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Florence +The Machine have released their music video for 'Spectrum'.

The song comes from the band's 2011 album "Ceremonials"
 
 
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Burning Love have announced they will be playing a few shows in Canada next month, dates can be seen below.

The band's new album called "Rotten Thing To Say" is to be released June 19th, 2012 via Southern Lord.

Tour dates:

June 08: Toronto, ON @ Silver Dollar (feat. Purity Control, Suicider, & Wasteoids)
June 11: Sudbury, ON @ Millards Garage
June 14: Winnipeg, MB @ Mondragon
June 15: Saskatoon, SK @ Amigos (MoSo Festival)
June 16: Calgary, AB @ The Palamino
June 17: Kelowna, BC @ KOC Hall (feat. Depressing & Ratwheel)
June 18: Vancouver, BC @ Biltmore Cabaret (feat. Depressing & Baptists






 
 
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Click image to listen to Synthetica in its entirety.
Metric released an online scavenger hunt to unlock an early stream of their new album, Synthetica, due for release on June 12.

Their dedicated fans collaborated on elaborate Facebook threads and Twitter and the band’s official forum to come up with all the keywords.

A Soundcloud stream of the album made its way around not long after (see above).

Metric will be hosting a free album release show in Toronto on June 12, the day of the album's release, at The Opera House. All tickets to the show will be given away. Stay glued to the band's email list at their official siteTwitter and Facebook for details on that. Some premium seats will also be auctioned off, with proceeds going to (RED). The day before, the band will play a free show at the Edge 102 Sugar Beach studio in Toronto as well.

...Metric is apparently really into FREE. Kudos!
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After an extended break from the stage and recording studio, saucy Garbage lead singer Shirley Manson remains sexier than anyone else. Forty-five years later, she's still at it, wielding her femininity like a clenched fist targeted at any jaw line within reach.

Manson commanded the Phoenix Theatre stage in Toronto, strutting from backstage and immediately throwing her arms up in victory at the microphone stand. The crowd responded as if the '90s alternative band had never been gone.

Garbage played to a bare stage, with a simple curtain and Avery situated toward the back with uber-producer Vig. But the charismatic Manson, who shadowboxed and shimmied her shoulders, was eye candy enough.

The men -- and some women in the audience -- cooed as she began the show, appropriately, with "Supervixen" and the lyrics "Come down to my house/Stick a stone in your mouth/You can always pull out/If you like it too much."

"Bow down to me," she commanded at song's end, demanding acquiescence on her band's first tour in seven years.

The crowd obliged.

What, are you going to argue with a tornado in high heels?

As such, the show felt like a return to form despite the lengthy layoff for this bunch.

If Manson has made a career out of alternately flaunting and downplaying her prettiness, you could say that her bandmates do something very similar with Garbage's electronically enhanced rock, which ranges from a digital throb to a blood rushing roar.

The band is skilled at crafting radio friendly hooks, but they deliberately scour them with dissonant guitars and pockets of noise that scruff up and add rancor to all the tightly-honed melodies.

Yet the old songs were memorable enough to draw loud singalongs more than a decade later. And on “Not Your Kind of People” Garbage returns without attempting some major makeover; at Webster Hall a handful of new songs fit easily alongside the older ones.

On the new album electronics pump, drums crash, guitars blare and choruses home in for the kill: “I won’t be your dirty little secret,” Ms. Manson sang in “Automatic Systematic Habit,” denouncing a lying lover. The change is in the lyrics, which at times acknowledge some growing up.

“Rage against the dying light,” she urged in “Big Bright World”; in “Blood for Poppies” the narrator was a soldier in Afghanistan.

While pop has gone happily electronic, Garbage did the opposite onstage, where it was an unabashed hard-rock band. There were some electronic drumbeats mixed in, but Mr. Vig steamrollered over them with live muscle. The rest of the band — Duke Erikson and Steve Marker on guitars and, on this tour, Eric Avery on bass — plowed into the riffs while leaving Ms. Manson plenty of room.

Hopefully fans pick up on "Not Your Kind of People" that hit the stores May 15 on Garbage's own STUNVOLUME record label. When the band premiered the first single, "Blood for Poppies," it was received just as well as the hits.

That's a good sign.

___
by Craig Winterburn
 
 
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Motion City Soundtrack have released their new song called 'Everyone I Die'.

Listen below:
 
 
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Motion City Soundtrack are offering a free download of their new single 'True Romance' via Billboard.

Get download here